Advertising & Campaign Photography for Brands & Agencies

People-focused commercial photography created for advertising campaigns, brand storytelling and multi-platform marketing.

Photography that connects people with your brand

I create authentic, people-focused photography for brands, agencies and marketing teams. From lifestyle campaigns and environmental portraits to large-scale image libraries produced across multiple locations.

Working from the initial brief through to final delivery, I combine creative direction with calm, organised production to create imagery that feels natural, distinctive and true to your brand.

Trusted by

A collage of logos including Petco, Weetabix, Winterbourne House and Garden, and Vets for Pets.

Campaign photography shaped around your brief

Portrait-led campaigns

Brand image libraries

Education and recruitment campaigns

Advertising and lifestyle campaigns

People-focused campaigns featuring real students, alumni and staff, created for prospectuses, outdoor advertising, campus dressing and digital marketing.

Authentic, energetic photography showing people engaging naturally with products, services and experiences.

Flexible collections of consistent imagery created for use across campaigns, websites, social media, print and future marketing.

Studio and environmental portraits combining confident direction with a natural, approachable feel.

Selected Projects

The Social Side of Sport.

Commercial lifestyle photography for Topgolf's evolving brand.

Real Students. Global Campaign.

Campaign photography for the University of Birmingham's global rebrand.

Inspiring the Next Generation.

Lifestyle photography for the Football Association and Weetabix at St George's Park.

Consistency at National Scale

Campaign photography for the national rebrand of Vets for Pets.

From creative brief to final delivery

Every production is shaped around the scale and requirements of the brief. I can work independently on smaller commissions or bring together a trusted team for larger, multi-location campaigns.

  • Creative development and art direction

  • Pre-production and shoot planning

  • Location coordination

  • Talent direction

  • Lighting and technical planning

  • Assistants, styling and hair and make-up

  • Video and drone production

  • Retouching and post-production

  • Usage and image delivery

A clear, colaborative process


Brief and creative approach

Understanding the audience, objectives, visual direction, deliverables and intended usage.


Planning locations, schedules, talent, crew, equipment and logistics around the agreed creative approach.

Pre-production


Calm, collaborative art direction that keeps the shoot moving while helping talent feel comfortable and confident.

Production


Post-production and final delivery

Carefully selected and retouched imagery delivered in the formats, crops and resolutions required by your campaign.

FAQs

Where are you based?

Birmingham, working across the UK and internationally.

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Can you manage production as well as photography?

2

Yes. I can manage the entire production process, from initial planning and logistics through to the shoot and final delivery. Depending on the brief, I can also bring together a trusted team of assistants, videographers, stylists, hair and make-up artists, drone operators and retouchers.


Do you work with real people as well as professional talent?

3

Yes this is a major strength, particularly with students, employees and members of the public.


Yes. I work with a trusted team of videographers to deliver coordinated photography and video within the same production. This provides a consistent visual approach while creating flexible content for advertising, websites, social media and wider marketing.

Can you create both photography and video?

4


How is image usage agreed?

Image usage is agreed in advance and tailored to the requirements of each campaign, including where the photographs will appear, the territories covered and how long they will be used. Everything is clearly outlined in the quotation, with the option to extend the licence later if needed.

5


6

How far in advance should we enquire?

The earlier the better, particularly for larger or multi-location campaigns that require more pre-production. Four to six weeks is ideal, but I can often accommodate shorter lead times depending on availability and the scale of the shoot.


CONTACT

Planning a campaign?

Whether you have a developed creative brief or an early-stage idea, I’d love to hear what you’re working on.